Dušica Dražić (1979, Belgrade, SFR Yugoslavia) is an artist, independent curator, and co-founder and co-director of Out of Sight in Antwerp (2018–).

In her artistic and curatorial practice, she researches the interrelations between places and their users, rethinks them at the level of cultural continuity, symbolic irregularities, and individual agency. Her work focuses on methods of knowledge production concerning social, political and aesthetic changes of (public) space, while examining the conditions needed for people to mobilise, enter collective authorship and imagine shared futures.

Dražić has participated in numerous solo and group exhibitions and screenings, and has initiated and (co-)curated collaborative projects and exhibitions. Currently she is a researcher at the Royal Academy of Fine Arts Antwerp (2025–2027). 

From 2020-2025 she was an artistic collaborator and creative producer at wpZimmer in Antwerp, an international workspace for the arts, with a focus on performance and artistic research.

She was co-author and project coordinator of On Mobilisation. Micro- and Transnational Community Mobilisation through Artistic Practice for wpZimmer from 2023–2025. She was an artist, researcher and project manager for Forest Encounters from 2023–2025, and is a co-author, researcher and project manager for On Mobilisation. Towards Multivocal Collaborative Futures for Out of Sight from 2026–2029. All three projects have been co-funded by the European Union (Creative Europe programme).

Recent transnational collaborative artistic and (co-)curatorial research projects include Close Encounters (2024–2026), Six Samples of Disaster (2024-2025), It Rains Differently — We Plant Forest, Forest Is Planting Us! (2021–2026), All That We Have Here Is All That We’ve Always Had (2023), and Symptoms of the Future (2020–2022), a.o.

Dušica currently serves as a board member for Messidor (Brussels) and Storm op komst (Antwerp), and was a founding board member of Out of Sight (Antwerp) till 2025. Throughout her professional career, she has served on numerous juries (including open calls for projects and residencies, as well as film festival juries) and has given many artist talks. Her work has been published in numerous publications, and she has co-edited artist books and other publications.

Wim Janssen (BE, 1984) is an artist and co-founder of OUT OF SIGHT in Antwerp (2018–). His practice engages with the technologies and functions of audiovisual media, taking form in media installations, video, and film. His work often explores processes of translation between different media. His work has been presented at major international festivals such as Ars Electronica in Linz and International Film Festival Rotterdam, as well as at institutions including Museum of Contemporary Art Belgrade and M HKA in Antwerp. Alongside his own artistic work, he has been producing audiovisual works for David Claerbout and others since 2006. Since 2017, he has been a lecturer at the Maastricht Institute of Arts (Drama Academy).

Marie Luyten works at wpZimmer (Antwerp), a workspace that supports the development of practices in the interdisciplinary and transdisciplinary performing arts. As coordinator of day-to-day and internal operations, HR, and partnerships, Marie integrates policy and strategic work with the development of organisational practices focused on shared leadership. In addition, she is responsible for the day-to-day and business operations of Hanafubuki vzw, a small, nomadic organisational structure in which Hanafubuki’s projects are developed and produced collectively with Samuel Baidoo.

Since 2026, Marie Luyten serves as a board member for Out of Sight in Antwerp.

In her work, Marie enjoys reflecting on and developing forms of collaboration built on shared responsibility and collective wisdom, whether in a collective context, at the organisational level, for a temporary artistic project, etc. In her role as a board member at Out of Sight, she draws on this vision, along with her business and organisational experience, to commit to the realisation of artistic projects and the development of a sustainable organisation.

Sarah Smolders handles the conditions in which space is created, viewed and lived. To them, these conditions are material, political and affective, connected to the gazes and the bodies that move around in this space.

"Speaking in a space starts with listening to this space. A space that is both material, immaterial, historical, political and physical."

Site-specific gestures and painterly actions invite different ways of looking and moving. They are also the building blocks of a spatial vocabulary that Smolders repeatedly revisits and translates in order to read and touch upon new places. In this way, a practice unfolds in which ‘work’ appears both as labour and as form.

Starting from painting, Smolders seeks out the company of material, architecture, and language in order to understand space as shaped by time, movement, and memory.

Smolders teaches at Studio Art department at Sint Lucas Antwerpen, and since 2026 serves as a board member for Out of Sight in Antwerp.

Rabten Tenzin (°1993) is a visual artist and educator based in Antwerpen. In his practice he researches the immaterial, transient and fragile aspects of the solid and fixed appearing material body and object. It is an attempt to look at the two co-existing realities of the material condition informed by Buddhist philosophy of impermanence and emptiness.

Through that perspective he approaches his drawing, installation, video work and in-Situ project. His material choice like rice paper, dust and incense powder complements his visual language of simplicity, fragility, subtlety and poetic sensibility. In recent years, his method of working priorities repetition, slowing down, bodily touch and traces, and physical labour.

For him aligning his artistic practice with the Buddhist tradition, by learning and living it, is creating space to keep the tradition alive. He has previously exhibited his works in group shows at Out of Sight, Mino art space, Forbidden city and many more. He was part of the Minolab residency (2025) and the recipient of first prize at Ronse contemporary drawing (2022).

Rabten Tenzin serves as a general assembly member for Out of Sight since 2026.

Dirk De Wit was working on visual arts and on development and innovation for Flanders Arts Institute (2015-2026), and was coordinator of the digital platform and later director of BAM-Institute of Visual arts (2003-2014). Before he was artistic team member of Brussels2000 – cultural capital of Europe, has set up a new institution for art and media Constant, Brussels in 1997 and worked as a free-lance curator for Palais des Beaux-Arts Brussels and Kunstenfestivaldesarts. He started his career as as curator film and video and later co-director of arts center STUK in Leuven (1989 and 1996).

Since 2026, Dirk De Wit serves as a board member for OUT OF SIGHT in Antwer and for ARGOS in Brussels.

Jana Mladenović (2000, Belgrade, Serbia) finished Applied Painting at the Faculty of Applied Arts in Belgrade, with the “Rajko Nikolić” award as the best student in class. She received the MasterMind Belgian scholarship and completed her Masters of Visual Arts in Socio-Political Context at Sint Lucas School of Arts in Antwerp, Belgium, where she currently lives and works.

Her practice is rooted in feminist inquiry and research-led making. Grounded in the emotional labor of making, her work foregrounds the politics of the body, diasporic belonging, and the ongoing struggle to mend what is fractured.

Jana Mladenović collaborates with Out of Sight since 2025, and is responsible for volunteer coordination, hosting and exhibition mediation.

Latifa Saber is a photographer and artist. She is a co-founder of BAYA Collective (since 2017). Her work at BAYA is fuelled by the desire to mould and develop an authentic realm that connects creative individuals through collaborative processes. Apart from the tasks of programming and curating, which she shares with her co-founding partner, Latifa is also responsible for managing BAYA’s communication and marketing strategy.

After completing her bachelor’s degree in Communications and Public Relation and a Postgraduate in Digital Marketing, Latifa Saber worked as the communication and community manager at wpZimmer from 2020-2024. Throughout the years, she developed a strategy for the international workspace while simultaneously defining individual working processes for each artist she worked with. From 2022-2024 she took a role of Head of Communication of Beyond the Black Box, the international performing arts festival in Antwerp, co-organised by wpZimmer, Monty, 0090, C-takt.

Currently she is pursuing a second master's degree in psychology at the Vrije Universiteit Brussel (VUB).

Mane Radmanović (born 1976 in Belgrade) is a visual artist and graphic designer. He studied at the College of Fine and Applied Arts and the University of Applied Arts in Belgrade. His practice brings together visual art, experimental graphic design and photography. He is a member of the contemporary photography collective Belgrade Raw and leads graphic design workshops at festivals and conferences across Serbia and the region.

Over more than two decades, Radmanović has worked extensively with independent cultural organisations and institutions, including galleries, museums and cultural centres. In 2018, he received a recognition award at Griffin, a regional graphic design competition, for his sustained contribution to Serbia’s independent cultural and contemporary art scenes. He won the main Griffin Award in 2021.

Radmanović has held nine solo exhibitions and participated in more than 30 group exhibitions in Serbia and abroad. In 2023, the Croatian Design Society (HDD) presented "Independent and Interdependent: 20 Years of Design for the Cultural Sector", a retrospective in Zagreb that marked a major chapter of his work with the independent cultural scene. He lives and works in Belgrade.

Julia Dulak (2002, USA) graduated from the University of Wrocław in Poland with a degree in Dutch Studies.

Her artistic practice is rooted in photography and informed by an enduring interest in drawing and visual arts. She explores the relationships between people and the spaces they inhabit, with particular attention to everyday environments and the details that shape our perception of a place. Her practice is grounded in close observation, considering photography as a way of slowing down and making visible elements of the surrounding world that might otherwise remain unnoticed.

From October till December 2026, Julia is an intern at Out of Sight in Antwerp through the Erasmus+ programme.

She is curious about the possibilities of her own creativity and the directions her practice may take when placed in new contexts. She approaches her internship at Out of Sight as an opportunity not only to learn and develop, but also to discover new possibilities within her artistic practice.