Dušica Dražić (1979, Belgrade, SFR Yugoslavia) is an artist, independent curator, and co-founder and co-director of Out of Sight in Antwerp (2018–). She is a researcher at the Royal Academy of Fine Arts Antwerp and a member of the Art & Ecology research group (2025–2027). She was co-author and project coordinator of On Mobilisation. Micro- and Transnational Community Mobilisation through Artistic Practice (2023–2025) for wpZimmer, where she worked as a creative producer and artistic collaborator from 2020 to 2025. She was an artist, researcher and project manager for Forest Encounters (2023–2025), and is a co-author, researcher and project manager of On Mobilisation. Towards Multivocal Collaborative Futures (2026–2029) for Out of Sight. All three projects were co-funded by the European Union through Creative Europe.

In her artistic and curatorial practice, she explores the interrelations between places and their users, addressing questions of cultural continuity, symbolic irregularities, and individual agency. Her work focuses on methods of knowledge production in relation to social, political, and aesthetic transformations in public space, while examining the conditions needed for people to mobilise, enter collective authorship and imagine shared futures.

Recent transnational collaborative artistic and curatorial research projects include Close Encounters (2024–2026), Six Samples of Disaster (2024-2025), It Rains Differently — We Plant Forest, Forest Is Planting Us! (2021–2026), All That We Have Here Is All That We’ve Always Had (2023), and Symptoms of the Future (2020–2022), a.o.

Dušica is currently the Board Member of Messidor and Storm op komst. Throughout her professional career, she has served on numerous juries (including open calls for projects and residencies, as well as film festival juries) and has given many artist talks. Her work has been published in numerous publications, and she has co-edited artist books and other publications.

Wim Janssen (BE, 1984) is an artist and co-founder of OUT OF SIGHT in Antwerp (2018–). His practice engages with the technologies and functions of audiovisual media, taking form in media installations, video, and film. His work often explores processes of translation between different media. His work has been presented at major international festivals such as Ars Electronica in Linz and International Film Festival Rotterdam, as well as at institutions including Museum of Contemporary Art Belgrade and M HKA in Antwerp. Alongside his own artistic work, he has been producing audiovisual works for David Claerbout and others since 2006. Since 2017, he has been a lecturer at the Maastricht Institute of Arts (Drama Academy).